Arts
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Chappell Roan’s “The Giver”: Country Music at its Most Queer and Iconic
By Leyli Izadpanah, Writer Chappell Roan, winner of the 2025 Grammy for Best New Artist…
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The Fall Semester’s Theatre Production: Charles Miller’s Riotous Rendition of Too Much Light Makes the Baby Go Blind
By Scarlett Hall, Writer Charles Miller’s take on Too Much Light Makes the Baby Go…
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The History of Protest Theater: Professor Grechen Wingerter’s Upcoming Faculty Lecture
By Leyli Izadpanah, Writer Art has served as a powerful tool in protest movements throughout…
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Past/Present Exhibit: A Photo Essay
By Kaleb Guzman, Assistant Photo Editor The Past and Present exhibition celebrates Pellissippi State Community…
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I Saw the TV Glow: An Analysis of a Painful Allegory
By Rocket Belden, Staff Writer Jane Schoenbrun’s 2024 film I Saw the TV Glow is…
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The Mandalorian: Can Star Wars Fans Have a Better Plot to Indulge In?
By Grace Kelly Phillips In a galaxy far, far away we are introduced to adventures,…
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Wicked: An In-Depth Review of This Month’s Movie Night
By Leyli Izadpanah, Staff Writer In honor of Women’s History Month, a time to celebrate…
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Sunrise on the Reaping: A Full Review of the Newest Addition to the Hunger Games Series
By Anna Trevathan, Editor I have been a Hunger Games fan since I was about…
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The Seed of the Sacred Fig: An Illegal Masterpiece
By Sophie Perrins, Photo Editor The most recent Academy Award winner for Best International Film,…
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Fist to the Sky: Post-Lecture on the History of Punk
By Emma G. Harrison On March 12, Pellissippi State Community College students gathered in the…
