Arts
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The Hardin Valley House: A Photo Essay
By Ashlyn Swaggerty, Photographer There’s a new addition to the Hardin Valley campus! Pellissippi State…
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The Role of Family in Invincible
By Draven Copeland, Editor-in-Chief It’s been a great couple of years to be a comic…
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Shame Listens: A Playlist
By Imaginary Gardens Staff, Introduction by Heather Schroeder, Faculty Mentor Everyone has songs on their…
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Behind the Lens: An Interview with Award-Winning Photojournalist Sophie Perrins
By Anna Trevathan, Managing Editor The James Thompson Journalism Award is a prestigious honor for…
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How The Marías’ Newest Singles Reflect the Emotional Weight of Love and Loss
By Leyli Izadpanah, Staff Writer Formed in 2016, The Marías are the Grammy nominated Californian…
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Hollywood Forever: A Lyrical Analysis of DeathbyRomy’s Debut Album
By Draven Copeland, Editor-in-Chief With the recent release of her debut album, Hollywood Forever, Romy…
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Can We Enjoy Good Art From Bad People?
By Leyli Izadpanah, Writer Unfortunately, many great artists have not so great reputations; from essential…
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Perverts – Ethel Cain’s Horrific Work of Art
By Scarlett Hall Singer and artist Hayden Anhedönia, who records under the alias Ethel Cain,…
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The Infantilization of Women’s Literature: How A Book’s Cover Makes Us Judged
By Anna Trevathan, Managing Editor While working in a bookstore, romance books were easily the…
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Too Much Light Makes the Baby Go Blind: Bright Enough for the Whole Crowd
By Draven Copeland, Editor-in-Chief For the past two weeks, Pellissippi State Community College’s theatre department…
